Juhani Nuorvala (born on 5 December 1961) studied composition at the Sibelius Academy under Eero Hämeeniemi. He also studied in Paris under Tristan Murail and in New York under David Del Tredici.
A notable variety of influences – microtonality, American minimalism, New Romanticism, popular music, techno – has been regarded as a special feature of Nuorvala’s idiom. Despite this he is not a collage artist; instead he has blended various ingredients to create a mode of expression entirely his own.
Nuorvala’s works are often marked with frenzied rhythmic drive. He makes music using elements and materials that both the mind and the body respond to. He finds these elements not only in old or new classical music but in various forms of urban popular music, such as the electronic music of modern dance clubs.
Nuorvala has composed chamber, orchestral and electronic works. The orchestral Pinta ja säe (Surface and Phrase) received a special commendation in the Vienna Modern Masters Competition in 1991. The Notturno urbano for chamber orchestra (1996) resounds with urban night life and is one of his most popular works. The Clarinet Concerto (1998) contains references to jazz, film music, Minimalism and techno. Septimalia (2014) was commissioned and premiered by the Finnish Radio Symphony Orchestra. Among his recent works is the string orchestra piece Variationes ex Bene Quondam which received enhuasiastic reviews after its premiere in September 2017 by the South Ostrobothnian Chamber Orchestra, conducted by Sakari Oramo. It received its US premiere by the Colorado University orchestra a month later.
Nuorvala has also created the music and sound for several plays at the Finnish National Theatre, in addition to writing an opera (Flash Flash, 2005) based on the life of Andy Warhol.
The strong rhythmic element is also present in the string quartet Dancescapes from 1992. The Second String Quartet (1997) includes some of Nuorvala’s most romantically soaring pages and has been adapted for string orchestra under the title Sinfonietta. His other chamber works include Prelude and Toccata for accordion as well as Boost for cello and synthesizer.
Juhani Nuorvala has for a long time been fascinated by the possibilities of microtonal writing. You can read more on his thoughts about the subject in this interview: https://untwelve.org/interviews/nuorvala
Five Flashes from Flash Flash
for soprano and chamber ensemble
Percussion, Keyboard (synthesizer & harpsichord), Viola (amplified), Cello (amplified)
kaksi hologrammia ja väliaika (2005)
Libretto by Juha Siltanen Soloists (Soprano, Alto, Tenor, Baritone, Bass), Tap Dancer, 2 Keyboards (synthesizer & harpsichord), Percussion, Electric Guitar, Viola (amplified), Cello (amplified)
2(II=picc)22(II+cl.basso)2-2100-10-str Timpani + crotale & woodblock (one player)
Sinfonietta (arr. of the String Quartet No. 2)
for string orchestra
Surface and Phrase / Pinta ja säe
Variationes ex "Bene quondam"
for string orchestra (2016-17)
What's a Nice Chord Like You
Doing in a Piece Like This? (1996)
for five accordions (original version)
The Helsinki Philharmonic Orchestra, c. Dima Slobodeniouk (YouTube)
Harri Mäki, clarinet; Tapiola Sinfonietta, c. John Storgårds (SoundCloud)
String Quartet No. 2: Allegro
The Kerava Quartet (BIS CD-1107)
Markus Hohti, cello; Emil Homström, moog (Slim Phatty); Timo Kurkikangas, sound (YouTube)
Sonata for Violin and Keyboard (22edo)
Pasi Eerikäinen, violin; Emil Holmström, keyboards (YouTube)