The latest addition to Aho's sequel for solo instrument pieces: Solo XVII takes a notice to the special features of the clavichord, which is different from that of a piano...

Géza Szilvay's Kreutzerini, here adapted for viola by David Banney, consists of 42 finger exercises for perfect intonation in the first position. Kreutzerini is a supplementary material for the Colourstrings...

The volume G of the popular Colourstrings violin tutors by Géza Szilvay studies every position of the violin in a separate volume. The extensive Book G5 – Sixth and Seventh...

Suite for Helena (Svit för Helena, 1994) for wind quintet is built on folk tunes from Åland Islands. In five movements, it takes a form from classical models (French suite,...

Mien (2014) for alto flute, English horn, clarinet, horn & bassoon is based on rippling, wavering, timbre changing effect of bisbigliando. The good-humoured piece has a swinging jingle, and with...

Päärme (Hem) has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word the composer chose...

Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. This single-movement work...

A Wilderness of Sea draws from four of Shakespeare’s most famous works. This 16-part and 15-minute-long piece emphasizes a common thread among those works that addresses two of the most...

This publication includes two pieces by Harri Wessman for flute & guitar: Pan and the Nymph Pitys (1979) bears the first symptoms of Wessman's later style, the texture being softly...

The name of Lara Poe’s solo trumpet work Triton (2019) alludes both the sea god Triton and the shell named after him. The 6-minute-long piece is constructed of two types...