The latest addition to Aho’s sequel for solo instrument pieces: Solo XVII takes a notice to the special features of the clavichord, which is different from that of a piano or harpsichord. The piece was premiered by Michael Hasel in October 2021.
Géza Szilvay’s Kreutzerini, here adapted for viola by David Banney, consists of 42 finger exercises for perfect intonation in the first position. Kreutzerini is a supplementary material for the Colourstrings Viola ABC Book B but it can be used independently as well.
The volume G of the popular Colourstrings violin tutors by Géza Szilvay studies every position of the violin in a separate volume. The extensive Book G5 – Sixth and Seventh Position follows the key principles of Colourstrings methodology, but it can be fully utilized also without any previous use or knowledge about the Colourstrings method….
Suite for Helena (Svit för Helena, 1994) for wind quintet is built on folk tunes from Åland Islands. In five movements, it takes a form from classical models (French suite, fuga, scherzo) and also of "family diary" describing the first steps of a baby boy (David’s promenade), the bird sounds at the sea next to…
Mien (2014) for alto flute, English horn, clarinet, horn & bassoon is based on rippling, wavering, timbre changing effect of bisbigliando. The good-humoured piece has a swinging jingle, and with the duration of ca. 5 minutes is suitable for many kinds of programming.
Päärme (Hem) has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word the composer chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not always even intended to be overneat…
Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. This single-movement work is ca. 13 minutes long.
A Wilderness of Sea draws from four of Shakespeare’s most famous works. This 16-part and 15-minute-long piece emphasizes a common thread among those works that addresses two of the most universal aspects of human existence: water and impermanence.
This publication includes two pieces by Harri Wessman for flute & guitar: Pan and the Nymph Pitys (1979) bears the first symptoms of Wessman’s later style, the texture being softly dissonant. In an old mythological dictionary the composer found that Pan had had some love affair with an other nymph than famous Syrinx as well,…
The name of Lara Poe’s solo trumpet work Triton (2019) alludes both the sea god Triton and the shell named after him. The 6-minute-long piece is constructed of two types of material: the combination of a fanfare like trumpet call with a meandering line, and more undulating material.
