Matthew Whittall: ad puram annihilationem meam… Ritual for mixed choir and percussion

Matthew Whittall’s ad puram annihilationem meam (“to the purest annihilation of myself”, 2008) for mixed choir juxtaposes facets of Christian liturgy, like plainchant, with a more spacious ritual atmosphere influenced by gagaku music. The plainchant opens and closes the work, framing the central rite, which is more responsory in character. Buy now