Matthew Whittall: love is a place – Three Songs after E.E. Cummings for  mixed choir
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Matthew Whittall: love is a place – Three Songs after E.E. Cummings for mixed choir

In this set of love songs “love is a place” after one of the great poets of the genre, Matthew Whittall wanted to create a sense of progression from various phases of that universal feeling – falling in love, building a life with a partner, the birth of children, death and loss – but one…

Matthew Whittall: Två psalmer for  mixed choir
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Matthew Whittall: Två psalmer for mixed choir

Matthew Whittall’s pair of psalm-based settings was a commission from the Finnish union of church musicians, for Swedish-language pieces specifically intended for liturgical use. Du kröner året (You crown the year, 4 min), to be sung on the feasts of Michaelmas and Thanksgiving. Sion, prisa din Gud (Zion, praise thy God, 3 min) was written…

Matthew Whittall:  Le Tombeau de J. K. for violin and piano (PDF)
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Matthew Whittall: Le Tombeau de J. K. for violin and piano (PDF)

Downloadable and printable PDF edition. The composer tells: “Waiting to hear was commissioned by my publisher, Fennica Gehrman, as part of a volume of new duos celebrating their 20th anniversary. I got the request shortly before the untimely death of my friend the violinist, composer and conductor Jaakko Kuusisto, and I wanted to write something…

Matthew Whittall: Northlands – Concertino for horn and strings
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Matthew Whittall: Northlands – Concertino for horn and strings

Northlands (album for horn and string orchestra) is a concertante work for horn and strings. Whittall tells that it was influenced by his brief experience with Iceland, its epic landscapes and otherworldly light, which had had an immediate and powerful impact both on the composer and the concept for the piece. Duration 23 minutes. Solo…

Matthew Whittall: Love Is Little for mixed choir
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Matthew Whittall: Love Is Little for mixed choir

Matthew Whittall’s (b. 1975) Love is Little (2009) is a modern motet which uses a Shaker hymn as cantus firmus. The original melody is gradually slowed down, looped and fragmented, forming a quiet, ambient soundscape in which each singer performs their own part freely. The piece is suitable for larger choirs but also works with…