Vainio, Jennah

Jennah Vainio’s Let it be forgotten (2019) to a poem by Sara Teasdale (1884-1933) was commissioned by the Juvenalia Choir. “Like life itself, love withers in time. Like flowers and fire, it fades, but the memory remains, and time frosts it. Over time, sadness takes on a gold lining. The beautifully luminous harmonies of the…

Jennah Vainio’s Saxophone Quintet (2004) is scored for alto saxophone and string quartet. The composer tells: “I began to compose the Saxophone Quintet in the late summer months of 2002. The air in the city was thick with heat, and behind the window mother nature was blossoming to her fullest extent. During autumn the same…

Downloadable and printable PDF edition. Jennah Vainio’s Beatbox Concerto Fujiko’s Fairy Tale has been performed close to 20 times, mostly in the USA, where the beatboxer Shodekeh added it to his repertore and has performed it e.g. with the Baltimore Symphony Orchestra conducted by Marin Alsop. The work draws influences from Oriental music, hip hop,…

The string trio End Credits (2016) is intended to play together with a video projection. Composer Jennah Vainio sees it as a portrayal of a person’s inner mind: "It is a beautiful, tender and introvert snapshot of a moment, a journey into the thoughts of a person. The work can be visualized by a video…

Queen Bee is a solo work for bass tuba or contrabass tuba. The piece starts with a melodic phrase, which is followed by and intersected with, a groove in varying time signatures. In the end the melody line re-emerges to reign supreme. 55011-626-9, € 11,20

Jennah Vainio has succeeded in masterly fashion in blending different structural elements to form a clear continuum in this 9-minute long work for string orchestra 2001.(score) 55011-504-0, € 19,90

for flute, clarinet and guitar When composing this piece Vainio underwent many lessons in the school of life. All these left their mark in this work which moves onward like a diesel machine. Score and parts: 55011-430-2, € 31,90